Tuesday, May 28, 2013

Godsend: Influences


“Godsend” Influences

            I decided to write “Godsend” for a number of reasons. At the time, I was taking a class by Kyle Minor, and it seemed like every other lecture or fiction example he used danced around religion. I am also pretty interested in religion as a whole, especially Christianity, and the idea that faith and orthodox beliefs trumps everything, even personal happiness. I was also influenced by my own life in terms of watching family members cheat on their wives and husbands. For a long time someone close to me lived a very lonely life because her husband cheated on her. She stuck around because “that is the thing to do.” It made me want to tell her story. So I did. Another bit of structural influence came from Alice Hoffman, whom I wrote about for the extra credit assignment. Hoffman has this crazy way of presenting life with this magical, ethereal spin on it that seems to grab readers by the collar and shakes them until they cannot breathe. I am not sure I accomplished that with “Godsend” but it is definitely where I want to take it.

Writing Influences: Alice Hoffman


Writing Influences
            I have had books shoved under my nose by my mom since I can remember, and so I have encountered many, many writers that still influence me today. One of those writers is Alice Hoffman, who I began to obsess over in high school when my stories of choice were fan fictions about boy bands and Buffy the Vampire Slayer.

            Alice Hoffman writes about magic in everyday life. The sort of magic that you do not see but that you feel. Little bits of irony and coincidence that pop up in life; one does not necessarily take the time to study it or ask why or how. “Seventh Heaven” is my favorite Hoffman novel. It’s about a small town and follows a single mother and a teenage boy among other characters in a 1960’s setting. 



I love it so much because even though it is not nonfiction, it does not feel like fiction either. The characters are believable to the degree that I feel like I am living right next to them. Hoffman incorporates just enough magic to make their lives converge and clash against each other, just like in real life. She writes just as though I am living her words as they roll across the page. I envy this and so I have tried to mimic her style.

            I write about all sorts of subjects. My last workshop story “Godsend” probably best emulates something Hoffman might write. She writes about sex and love, death and loss. She writes about AIDS and teenagers who live in the woods, and about sisters who believe in more than just the coincidence. “Godsend” relates faith and promise to real life and how sometimes the desire to have a better life supersedes the “right” thing to do. My story tackles multiple conflicts just like Hoffman’s stories. It deals with Donna Jo’s lack of faith, Betsy’s inability to separate her relationship with her husband from orthodox religion, and it also sheds some light on what Betsy really wants in life, which is just to feel appreciated through touch.

            Hoffman also wrote a story called “Practical Magic” which most have probably heard about because it was made it into a movie starring Sandra Bullock and Nicole Kidman. The movie was good but certainly not as good as the book, but I digress. 



My next writing project is trying to emulate the magical feel of that story. “Practical magic” is about two girls who were raised by their weird aunts who make potions and cast spells for the local women (they live in a small town). All of the women in the family are cursed to never live their full life with their husband. For example, one of the girls’ husbands dies after she hears the telltale sound of a cricket under the floorboards. After he dies she moves back in with her crazy aunts and ends up having to go rescue her sister from the hands of an abusive boyfriend who then end up accidentally poisoning to death. This story is way more magical in the literal sense than any of Hoffman’s other stories, but that’s what I love about her writing. Sometimes it is extreme with the magical metaphor and other times it is very subtle and you have to really study all of the events in order to see what is supernatural about them. I want to write a story that follows the same vein as “Practical Magic” in that it’s not kitschy but you can see the magic happening. I like writing about things people do not normally think about or hear about, or if they do hear about it they do not believe it. I like testing the limits. I like to “kill my darlings, kill my darlings,” as Stephen King said. I want to make both my characters and my readers uncomfortable. I want them to question life and the way they live it. I want them to be open to new things and people and possibilities and to never count magic out.